Tracing the origins of Sonic the Hedgehog
Friday, 30th March 2018, 4:42pm (UTC), 0 Comments
Sonic the Hedgehog is a favourite for many and most players who decided to give this exciting game a try end up playing for hours on end. Sonic brings the game to life, making it one of the most immersive games you can ever play. However, despite many having fallen in love with Sonic and the Hedgehog, there are a few that are familiar with the character. Here we show you how 'Sonic' came about and in brief, you will learn the history of Sonic the Hedgehog. If you wish, you can check out the game at le meilleur casino en ligne de l'année.

Developers

Sonic is a character that was conceived by Sega in 1990 as a way of trying to counter the hegemony that was being enjoyed by Mario of Nintendo. Sega entrusted two developers, Hirokazu Yasuhara and Naoto Oshima to develop a character and a game that would challenge and compete with Nintendo's Mario. The result was the birth of Sonic. Sonic's success was instant such that it managed to eclipse two other trademark characters from Sega i.e. Flicky and Alex Kidd. It took some time for the two developers to eventually decide that the character for the new game had to be a hedgehog. Other options that were considered include a dog, an armadillo, a porcupine and an old man with a moustache (however the last character became part of the game but not as the main character). All these, however, were frowned upon by the duo settling on a hedgehog. Their reasoning was that a hedgehog was perfect in a video game as it could do damage with its spiky covering, roll around and curl up into a ball.

Ever changing hedgehog

1991 was the year that the world started to play and enjoy Sonic the Hedgehog. However, the hedgehog that put smiles on many faces back then is very different from the one available today that can be seen online at jouer aux machines à sous en ligne. In 1991, the hedgehog was much simpler, it was a simple white and black line drawing of simple shapes. The reason for this was that Sega wanted a character that would be a hit with kids and they wanted something that kids could draw without much difficulty. As time went on and new developments emerged, the hedgehog also 'developed', though still simple for kids to draw, the hedgehog adopted a new brand of colours (blue, brown, white and black). The colours were adopted so as to make the hedgehog appear more appealing to the kids and as such, it has succeeded as its continuing to woe many kids including adults also onto its side.
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The Five Best Sonic Games
Thursday, 22nd March 2018, 12:12pm (UTC), 0 Comments
The melodious hum of the Sega logo theme is a sound that will stay with 90's kids forever. From Tetris to Battle Toads, through to Crazy Taxi and even Castle of Illusion Starring Mickey Mouse, Sega have had some hits worthy of a replay even now. However, if there's one creation that Sega will always be known for and rightly so, it's our favourite blue hedgehog Sonic. Sonic has now been brought to life in various games including online slots and computer games.

With almost 80 games in total, this speedy critter has entertained children and adults alike for hours on end and is one of the biggest game franchises to ever have existed. Of course, of those 70+ games there are certainly some we'd rather brush under the rug, but what about those we'd happily break out our dusty old consoles to play? Here is our list of the best Sonic games to ever have been produced.

Sonic The Hedgehog

We couldn't start this list with anything other than the very first Sonic game to ever hit the gaming market. Sonic The Hedgehog was an instant hit after creator Yuji Naka finally developed what was to be Sega's new mascot and the accompanying game. Of course, Sonic had quite the competition, with the success of Super Mario Bros and it's multitude of successful sequels dominating the market, but it battled hard and it battled well and now Sonic sits high up in the rankings right beside it's plumbing competition.

The bright colours and the fast style of gameplay were innovative at the time, and even today we find ourselves celebrating with a wealth of merchandise. Unfortunately, if you want to try your hand at this original, you'll have to cough up around $494.99 for a mint condition copy!

Sonic 2

Arguably better than its predecessor, Sonic 2 offers smarter game play and a unique design that rivalled even that of Super Mario. This game gave you the perfect opportunity to just keep going, and to keep going fast. While the original game of course had the speed we know and love, you often found yourself being stopped dead in your tracks. The clever design of well-loved levels such as Casino Night Zone made sure that this wasn't an issue in the sequel.

Instead, gamers got the opportunity to keep running, even when they came to face consequences. You could build up momentum and keep it, which was something that later games certainly learned from. It wasn't quite an origin story, but that was certainly part of the charm. You could finally enjoy the game with a much-loved character without worrying about a backstory you had to learn.

Sonic CD

Poor old Sonic CD certainly has its troubles and much of it can be put down to the console. However, the game itself was one worthy of attention and so attention we are giving it. Despite its hiccups, the concept behind the game certainly made it worthy of its later revamp, but its initial failings unfortunately meant that gems that allowed time travel weren't given the run that they needed to launch the game into the success it needed.

Despite the lack of initial success, it was the facelift it received that truly helped show off the potential behind the game. Fresh graphics brought it into a modern light and with better options for gameplay now available, there's no longer anything stopping it from getting the play it truly deserves.

Sonic Rush Adventure

As different as two games can be, Sonic Rush and Sonic Rush Adventure were both flying off the shelves. However, Sonic Rush Adventure seemed to be the more favoured of the two and while it had the same unique approach to the merging of 2D and 3D design as its predecessor, the 'Adventure' version of this game offered some incredible boss battles that fans were certainly grateful for. Oh, and we can't forget Sonic's snowboard that served to round the entire game off.

Sonic Rush Adventure had its storylines, of course, but with the subtle integration compared to other Sega offerings, it was popular among those searching for more action than adventure. With the fun design and even faster gameplay, players could definitely forgive the storylines when they did come to the forefront. Oh, and did we mention that this game is compatible with the 3DS?

Sonic 3

Sonic The Hedgehog 3 was quite possibly the most adventurous of all the Sonic games, attempting to bring a whole new level of life to the already much-loved game. With its predecessors launching Sega to its highest point yet, this game had a lot of expectation surrounding it and it definitely didn't disappoint. Granted, Sonic 3 didn't stay as Sonic 3 for long. The game was huge, expanding too far for the capabilities of the time, and thus Sonic And Knuckles was born as a sequel to the game. It may have been released as two separate games, but fans often regard the two as the same game altogether, and one of the biggest and best that Sega have ever produced. However, Sonic 3 also brought about a sad sort of feeling at the time. While this game was certainly incredible, it was also the last to follow the main storyline until four years later.

Sonic has a special place in our hearts - that much is certain - and while it may be difficult to get our hands on some mint condition classic Sega games without a hefty bank balance, there are plenty of second hand options available at a much more affordable price and sometimes even completely for free. Better yet, the franchise is still going strong, so Sonic fans old and new can easily get their hands on plenty of worthy offerings from the constantly growing collection.
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The Most Awesome Sonic Franchise Add-Ons
Friday, 9th March 2018, 11:41am (UTC), 0 Comments
The Sonic we all know and love has changed and upgraded over the years: while for all intents and purposes he's still the same little fella zooming and jumping and battling Dr Robotnik, but in his other incarnations, he gets some cool new functions and is making fans in whole new places!

The Sonic the Hedgehog Movie - Coming Soon...

We can hardly wait - Sonic will be coming to the big screen. Although our favourite blue hedgehog has appeared on screen before (in Disney's 2012 Wreck-It Ralph), the movie will be the first time he's appeared in his own cinematic adventure! The film is scheduled to be released on November 15th 2019, and will be a mix of live-action and CGI.

Sonic Slots - Available on All Devices

As if Sonic hasn't moved with the times enough, his most hi-tech upgrade comes in the form of his very own slot machine app, available across both Android and iOS devices. Free to play and download, the Sonic slot game is just one of many truly epic casino games featuring characters you know and love! With Vegas-style slots, eye-popping graphics and the usual game's storyline (rescue Sonic's friends... battle Robotnik...), this is a fun new way to play Sonic games - and maybe even get a little something in return, too!



TV: Cartoons, Anime and More!

Sonic has made quite a few TV appearances over the years! From DC-produced The Adventures of Sonic the Hedgehog in 1993 to the more dramatic Sonic the Hedgehog series from 1993-95, Sonic's range of TV outings have mixed and match his gang of friends (for example - Tails was with Sonic from the very first TV series, while Knuckles makes his first appearance in another show in 1996). There was also the wildly successful, 78-episode run of Sonic X, featuring Eggman, Tails, Knuckles and more.

Sonic Wear: Wear Sonic Loud and Proud

You're nobody until someone is wearing your face on a T-shirt, right? Which is good to know, as Sonic has his face on literally hundreds of awesome t-shirts, available at a wide range of online retailers and stores nationwide! From Kohls to Target, you'll definitely be able to find some form of Sonic wear that suits your taste.

Remastered Sonic Soundtracks

Any Sonic fan worth their salt knows that the beauty is in the gameplay... and the soundtrack too. That iconic music (Sky Sanctuary? Speed Highway?) are not only the soundtrack to our childhoods, they're also astonishing pieces of music in their own right! The remastered Sonic Generations OST has become an instant fan favourite - and something which classical music fans can appreciate too!

Overall, Sonic has become so much bigger than his first few (still massively loved and played) console games. And, as technology advances more, you really never know - Sonic is so hugely popular, you'll definitely be seeing him and his friends in more places, soon enough!
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A word from Netbet
Wednesday, 19th October 2016, 12:29pm (UTC), 1 Comment
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Play slots because they are AWESOME! And they don't require previous gaming knowledge to play. You can play for fun or for real money it's your choice. You can play at home in your pajamas, in front of the television set. You can save on expenses, by not having to travel to Vegas or Atlantic City. You can play slots like the Pharaoh or rock-n-roll slots. The user can log in to the game and become a regular visitor and receive bonus coins or points for each visit. Slot machine games are pleasantly addictive, they are fun and they can also be a huge destressor.

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Comments   1 Comment has been posted.
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Aquatic Ruin Zone artwork by Ricky Earl!
Wednesday, 1st January 2014, 1:48pm (UTC), 17 Comments
Well at least someone is updating this site with new content! Ricky Earl resumes his pledge to artwork up as many of my zones as he would care to within his lifetime. This time it's Aquatic Ruin Zone - good isn't it?



So expect Casino Night in another couple of years, right Ricky? I'm one to talk.
Comments   17 Comments have been posted.
#1. Comment posted by Ricky on Wednesday, 1st January 2014, 4:53pm
hahaha. How does 2050 sound?
#2. Comment posted by TruthSeeker86 on Saturday, 4th January 2014, 8:06am
That is gorgeous work, Ricky! Hope to see more!
#3. Comment posted by Kabam! on Saturday, 4th January 2014, 5:39pm
Darn... It has been a while. It certainly looks very nice. I like how the main focus is more on the Grounder than Sonic because he is such an iconic badnik in this zone. | Hey, what is two-zero-five-zero supposed to mea- Two thousand fifty?! Jeez man! I'll still be alive then but, gosh! Anyways, can't wait for the next!
#4. Comment posted by Kabam! on Saturday, 4th January 2014, 5:45pm
On a side note, I guess I should mention that Sonic Wrecks is no longer Sonic Wrecks. It is now, "Last Minute Continue." You should check out the new site when you have the time, and don't worry, the web link on your homepage to Sonic Wrecks still works so all you have to do is click there.
#5. Comment posted by Kabam! on Wednesday, 12th February 2014, 1:50am
Hey! LiQuidShade! Don't you have anything to say about Sonic Boom?! I can't wait to see your reaction. Better yet, what do you think of the character redesigns? Don't take too long to state your thoughts!
#6. Comment posted by dualzxz on Tuesday, 10th June 2014, 3:25pm
Hello, I know a brilliant sonic the hedgehog marble zone act 3 secret. Use knuckles or tails just above the ring box just above the last entrance to the cave. Go up the wall and there's a secret bypass. It gives a speed boot and a life. You skip the whole level!!!
#7. Comment posted by dualzxz on Tuesday, 10th June 2014, 3:28pm
Same goes for spring yard act 1. It gives 2 lives by going above the part with the sliding blocks
#8. Comment posted by dualzxz on Sunday, 6th July 2014, 7:06pm
Ok, it's actually on ALL marble zone acts
#9. Comment posted by asanjuan on Friday, 17th October 2014, 2:58am
No updates? :)
#10. Comment posted by Dakras on Thursday, 1st January 2015, 8:18pm
No update still? Damn.
#11. Comment posted by Anonymous on Sunday, 31st May 2015, 10:46pm
I Would Love to see the casino night zone fan art when it comes out ^_^
#12. Comment posted by Pizza DrĂ¡cula on Thursday, 14th April 2016, 5:00am
Awesome guides, awesome compilation work, the rip of the music tracks... thanks so much from Andalucia mate hahaha

PS: when a guide for Sonic Spinball?
#13. Comment posted by Paulo on Sunday, 24th April 2016, 2:54am
Very nice this blog. I follow since now. http://www.agenciamocho.com
#14. Comment posted by Mocho on Sunday, 24th April 2016, 2:56am
Sonic is my young! <a href="http://www.agenciamocho.com"></a>
#15. Comment posted by Master of the Macarenas on Tuesday, 24th May 2016, 8:44am
Its been over a couple of years... :V
#16. Comment posted by Anonymous on Tuesday, 9th May 2017, 1:05am
Casino Night might not ever come... :(
#17. Comment posted by Anonymous on Tuesday, 12th December 2017, 6:15pm
When are you going to add guides for Sonic Mania?
Sonic Lost World: The Review
Saturday, 26th October 2013, 9:20am (UTC), 6 Comments
Whatever you want to say about Sonic games since going 3D, one thing you can't accuse them of is staying the same. They are a far more varied bunch than their 2D brethren, and SEGA have constantly experimented with new ideas to not only try to capture the essence of Sonic in the third dimension, but also seeing what new gameplay mechanics can be deployed to make it more interesting. Opinions on the results have often varied, to put it mildly, and so they kept trying, diversity brought on by an endless stream of feedback. Finally, it seemed they had found something that both critical and fan reception agreed was pretty good in Sonic Colours and Sonic Generations, and peace was restored.

Now we know how to make a 3D Sonic game, right? Well yes, but one thing all those wildly diverse Sonic games were good at was getting your hopes up. Maybe the next game will work better than the last. No? How about the next? They can always come up with new ways of making fans hopeful and thus still interested in the franchise, but it seems to me like the one thing SEGA are truly afraid of is Sonic becoming stale and same-y.

Why else would you make the new Wii U game, Sonic Lost World, one of the most different Sonic experiences yet after finally finding a gameplay mechanic that works? Gone are the frenzied euphoric dashes through detailed environments, boost button firmly under finger. It's a game that for the most part relieves the blue blur of a lot of his speed and traditional momentum physics, and puts him in a far more simplistic, fanciful and less ordered world than he's accustomed to. Yet at the same time, it emphasises, more than any other game in the series, the technical joy of proper platforming and an ingenious variety of objects, hazards and gimmicks the likes of which have been few and far between until now. One could say it's the absolute antithesis of "boost to win" gameplay.

With such a varied fan-base to contend with, Sonic Lost World was always going to be a game that divided opinion. Whether you're a classic purist, a modern speed freak, or someone just looking for a great technical platforming experience, whatever your first thoughts were on seeing the game in action, I would imagine they would not change much upon playing it.. But let's find out anyway...



So we begin with the story. The opening cutscene certainly has a ring of nostalgia about it, as we find Sonic and Tails chasing Eggman across the skies on their trusty, original, Tornado, hoping to secure a last capsule full of animals. Apparently Eggman has taken an endearingly back-to-basics approach with his latest evil scheme. A scuffle sees our heroes hurtling towards a floating land called Lost Hex - and that's pretty much the only background we're given on what the hell this place is and why it's here.

It transpires though that alongside turning Sonic's thousands of furry friends into nuts and bolts, Eggman's also acquired the subservience of the Deadly Six, a colourful cast of villains whose powers are controlled by blowing into a mystical shell. Early on, Sonic makes the mistake of relieving Eggman of this shell, causing the Deadly Six to go nuts, take control of the hoards of vintage badniks that have been shipped in straight from the 90's, and generally run amok. Queue the unlikely teaming up of Sonic and his oldest foe to foil the Six's dastardly plan of sucking up all of the energy from the planet below to make themselves ever more powerful.

Though things start out quite cheesy, the numerous cutscenes actually begin to demonstrate some interesting character development (well, by Sonic game standards anyway) as the three main protagonists progress through the story. Eggman at one point demonstrates some surprisingly violent anger, and the whole situation actually causes some noticeable tension between Sonic and Tails. It's also quite interesting to see how Sonic, not known for his emotional displays, reacts to everything going wrong, and for once being in the wrong himself. It's not exactly Shakespeare, and the dialogue isn't as funny as Sonic Colours, but it's not bad. I felt the ending somewhat lacking and anti-climactic though.



Now the world of Lost Hex is a curious place, and unlike any other from Sonic's world. In what is at least partially an attempt to increase the length and variety of the game by making levels easier for the developers to build, the zones are minimalistic, abstract and perhaps child-like. The ongoing theme is that, although Lost Hex is an incomplete globe of hexagons, most of the places Sonic seems to visit are above this surface, spread out across floating platforms amongst the clouds, leading to level design reminiscent of what a lot of Sonic Heroes levels turned out to be.

As is now very much the norm, the game's zones divide themselves fairly evenly between 2D and 3D portions - some are entirely one or the other, others mix and match at certain points. In both dimensions though, many platforms and chunks of ground tend to employ the use of gravity in ways that will be extremely familiar to anyone who's played Mario Galaxy 1 or 2, and the comparisons are hard to ignore when you see Sonic running around huge spheres with their own gravity field. Other examples are more Sonic-ified, such as long looping cylindrical structures that only Sonic's speed could traverse quickly, and the 2D camera will often twist with Sonic as curved walls become floors while you walk across them. I suppose it's a shame that they've had to borrow so heavily from another, very popular game that's very well known for using this effect - It's almost a little embarrassing actually. If you can get Sonic to dash across these structures then it's at least interesting to see what he can do with them that Mario can't.

I say if you can get Sonic to dash because the other key aspect that will immediately grab you about Lost World is that it's easily the slowest Sonic game in recent memory. This is very deliberate and represents the recent realisation that some people aren't crazy about Sonic simply running everywhere very very quickly. There are still bursts of speed, but these are quite rare, and instead this game caters much more to the cerebral Sonic player, with all manner of platform-hopping layouts and trials in timing and precision to encounter.

To accommodate this, the engine needed to change, and it changed drastically - most notably that Sonic now has two gears - walking and running, with the latter only accessed by holding the right trigger. Of course objects like speed zippers and springs will send you off as quickly as they ever did, and the left trigger unleashes the spin dash, though this is more useful for climbing long curved walls than injecting a prolonged period of acceleration. The truth is, unless the game wants you to move particularly quickly, you won't, and there will be times that you'll really want Sonic to get a move on, even while holding the run button down tightly.

I admit, it may be a difficult adjustment to make initially, and one that I do worry slightly contradicts the child-friendly aesthetics of the game, perhaps being too complicated for the young ones. On top of that, you have a wide range of moves at your disposal. Although A, B and Y buttons are all jump, they perform differently when pressed again in the air. Without a homing target around, A and B double jump, while Y performs a bounce. With an enemy nearby, the B button turns into the homing attack (which can now chain multiple targets with one press), while pressing Y gets you a new kick attack, which sends the badnik flying. It's a nice idea that employs a bit more strategy, as some badniks require one or the other to defeat, or both in a certain order. My only gripe is that it's rarely obvious, visually, which badniks need which attack until you've found out the hard way, as the wrong method can result in ring loss.

One of the more difficult moves to master though is the wall run. Jump up to a wall while holding L and Sonic will attempt to run up it until he loses all momentum or can grab on to the ledge at the top and hoist himself up. It takes a little practise to jump between adjacent walls while in 2D, allowing you to keep on going when done correctly, but doing the same in 3D is something I'm yet to master.

It all takes some getting used to, particularly the reduced speed and more prescribed sense of momentum, but after a while it sort of all makes sense, and I began to find that jumping Sonic from one platform to another feels more accurate and reliable than it's ever really been, particularly in the third dimension. Just last night I managed, first time, to retrieve a red star ring by carefully jumping across a couple of very small platforms, requiring the momentum from different running speeds. In pretty much any other 3D Sonic game this would have been challenging at best, and almost impossible at worst. Without different gears, we've been slipping off of narrow pathways or over-shooting jumps and dashes for years now, but thanks to the new system, it was rarely a problem for me.

Not only that, but considering factors such as the gear that you should approach a jump in, whether you should employ the double jump in mid-air, or if you'll just about make it with the wall run or clinging onto the edge.. it all adds a slightly more strategic element to basic platform hopping that's relatively new to the series. Overall, with one notable exception that I will get to in a minute, I would say that technically this is a very solid title, with little in the way of bugs or control issues. Most types of movement feel sturdy and precise.



The game offers seven levels, each split into four zones (notice they've gone with the Sonic CD school of confusingly referring to what are normally acts as zones, and what are traditionally zones as unnamed clusters of stages). An eighth is unlocked upon completion, plus more zones appear at certain points, the criteria for which remain unknown to me at this moment. Everything is accessible by plotting Sonic round a top-down map made of hexagons, with zones, bonuses and other items appearing on certain panels. We'll cover all that later.

There's no denying that this time they've certainly opted for very generic level themes across the seven main clusters of zones - green hills, desert, beach, snowy, lava - you can't get much more route 1 platformer than that. However, as advertised early on during promotion, the zones in each level diversify greatly, sometimes into what would normally be thought of as completely different, and more specific level themes. Desert Ruins Zone 3, which gains an extra letter 's' and becomes a ludicrous food-based world, and Frozen Factory's casino level are still the best examples of this. After seeing that Desert Ruins has at least three totally different themes within it, I was curious about whether every other level would match this too. Sadly it doesn't quite work out like that, with some themes reappearing within different levels - the whole of level 6 for example is a total cop out, with no great discernible theme of its own other than simply more clouds. Despite this though, the new philosophy on level creation checks out, as we have at least a dozen completely different types of location in this game, plus many small permeations, compared to the usual maximum of only nine.

Although the highly generic central themes become more specific, I can't deny that this particular visual direction is not for me. The simplistic style and cartoon-like look to the trees, mountains and clouds is far more Mario than Sonic, and it struggles to gel with anything we've seen before in the series, which has traditionally favoured occasionally fanciful ideas but always within a certain realistic aesthetic framework. Much of the game lacks that slightly more serious tone Sonic has always had over Mario, and forgets its normally quite active pursuit of seeking out whole new ideas for themes and locations (see Sonic Colours for excellent examples). I rarely felt the wonder and excitement upon first arriving at a brand new level that I normally look forward to more than anything else in a new Sonic game, simply because I'd pretty much seen everything done a million times before, not just in Sonic but many other generic platformers before it.

It doesn't help that most levels, at least their initial zones anyway, are simply an arrangement of various blocks strewn across the sky, with no sort of detailed structure holding them together. You definitely get the impression that the developers saw Mario Galaxy and said "let's make a Sonic game just like that" - my most optimistic thoughts are that this was only supposed to be a starting point of inspiration, but just ended up borrowing way too heavily from it. Some zones, such as Tropical Coast 2 - which has Sonic luring giant watermelons and pineapples across spherical planetoids into equally large fruit juicer blades - could be put straight into one of the Galaxy games with absolutely no adjustment whatsoever.



However, when you're chased by huge tropical fruits rather than boulders or killer whales, you have to admit, you're in a world with slightly further boundaries of what's possible. Things can happen that don't normally happen and luckily, along with Mario's unfortunate aesthetics come by far his best attribute, and the one aspect I have always wanted Sonic to be inspired by - the sheer variety of level content and gimmicks. When Sonic runs at ridiculous speeds, there's only so much variety one can encounter in that type of gameplay. When he trots around at a slower pace within a wackier, more abstract and colourful world however, the perfect storm is created to make this one of the most inventive and imaginative Sonic games around, and I'm thrilled that they've actually taken as much advantage of such an opportunity as I would have liked.

Sonic spends the entirety of Frozen Factory Zone 2 inside a giant snowball that you must roll around between narrow walkways, sticking collected rings on the outside surface. A later zone mimics Sky Chase but without the plane, as Sonic glides side-scrolling across a windy sky strewn with obstacles, while in others you must hide from the search lights of a large mechanical owl, or dodge huge purple sand creatures with massive jaws. New ideas to Sonic are explored; in one zone, running outside of one edge of the screen will have you reappear on the other, and elsewhere, Sonic and his surroundings are cast in a black silhouette until you pull Sandopolis style light switches. There's more familiar ideas too, such as levels entirely consisting of grinding, albeit with the twist of controlling your speed by hopping to different coloured rails, and of course the classic pinball table segment is here too. Refreshingly, the amount of generic objects across all levels, normally red coloured and consisting of speed devices or pulleys etc, and which frequently plague modern Sonic games, are kept to a bare minimum here. In their place are much more level-specific features and obstacles, which may be no more complicated than a sheep that you bounce off of, or a flower bud that opens up as a larger platform when hit. It all adds up though and by the end you really feel like you've covered a lot of different ground in the game.

The Wisps - little aliens in item boxes that give Sonic new super powers - are also part of this attempt at mixing up the gameplay a bit, though unfortunately they represent the one main area that I feel is technically flawed to a significant degree. Luckily they don't quite appear often enough to totally ruin the game, though when they do, use of them is quite often essential. The problem stems mostly from their use with the gamepad, which I felt seemed only to be used for the sake of it more than anything else - some require you to stop what you're doing, look down and drag your finger around the screen, others have you looking at your TV but tilting the controller, and others don't seem to require any special feature of the pad at all. I dreaded having to use them really, they're just inconsistent, disorientating and quite often really don't work very well at all. I still don't quite know how to fully control the Rhythm Wisp, and as for the Laser, well this little bastard raised alarm bells when I saw him in previews both at Summer of Sonic and Eurogamer, and I also saw countless people wondering how the hell it works and what it's even really for. That was perfect user testing that should have made them rethink things a bit, but of course it hasn't at all.

Any sort of in-game help is quite minimal in general, and this is particularly missed when it comes to the Wisps, where it's needed most. After getting the Hover Wisp I could see a long line of rings that - I know from Sonic Colours - I should be able to light dash across, but it didn't seem to be explained anywhere how I could make this happen or anything about said maneuver whatsoever. Sadly, as I found out first hand during an interview with Takashi Iizuka himself, Wisp power-ups are here to stay as a regular feature in Sonic games. Though they were a little intrusive in Sonic Colours, they were at least handled very well. Unless they can return to that degree of quality, and preferably ditch their use of any interaction method that isn't a button or a thumbstick, then I don't look forward to their return at all.



Lost World has a very traditional and rather casual approach to bosses. For the first time in absolutely ages (I'm talking Sonic Advance, maybe Sonic Advance 3 at the latest), most bosses can be found at the ends of levels, rather than in dedicated boss arenas. They're quite frequent (every other zone in fact), but because more is at stake if you lose, you'll find they're usually quite straightforward, and also small scale compared to the massive bosses Sonic usually has to fight nowadays. Despite their frequency, they're not too repetitive and I wouldn't mind replaying them afterwards as part of the levels. And let's be honest, how often do you normally choose to play boss levels again, for fun? Later on, you also seem to quietly learn a technique to increase the strength of your homing attack, to deal with bosses more quickly too.

Each boss is of course one of the Deadly Six, patrolling a level each, and unfortunately you tend to be able to somehow hear their thoughts as you get closer to meeting them, throughout their zones. Some of the characters offer mildly amusing voice overs, such as the girl or the emo fella (I've no idea what their names are - I'm not sure it's important really), but others, such as the first one, who is irritatingly mental, kind of ruin the experience quite a lot. And it's always annoying when you keep dying on a particular bit and have to hear the same piece over and over. They're not a patch on Eggman's hilarious tannoy announcements from Colours.



Speaking of dying, prepare to do rather a lot of it as this game is no pushover. You'll regularly be falling into pits or finding ingenious new ways for Sonic to kick the bucket instantly that you would swear, ordinarily, would just cause ring loss. Though this is not without frustration, it rarely feels unfair as the controls are so tight this time around, you've really no one to blame but yourself, and it's certainly no worse than anything Mario regularly dishes up. Also, they've finally implemented a very simple idea I've been suggesting for ages - don't restart the music upon each death. It's surprisingly effective at reducing frustration. Extra lives are few and far between too, especially as the ever useful 100 ring bonus life is curiously absent. Replaying Desert Ruin Zone 2 is your best bet, which can give at least five extra lives relatively easily.

Though Game Overs will be plentiful, there is a very curious and surprising addition that makes up for the lack of lives. Should you return to the same checkpoint a certain number of times or get down to your last chance, an item box with a wing symbol appears nearby, which simply teleports you to the next checkpoint. For me, the jury's still very much out on whether this is a good idea or not. On the one hand it's saved me a lot of bother in having to deal with particularly frustrating sections, but on the other I did feel that I kind of cheated a little bit, and there are still portions of levels I've yet to defeat because of it. If you could gather enough lives, you're theoretically guaranteed to have most of the game beaten for you. Then again, inputing up, down, left, right, A and start into Sonic 1 has the same effect and is a heck of a lot quicker too.

The game feels fairly substantial in size, not so much in the amount of levels but their duration, as most of them are satisfyingly lengthy - especially if you keep dying in them. I still managed to beat the game over a weekend though, including long gaps of time where I actually went outside too, so I still don't know if it's as long a game as it could be, which is a shame, given their devotion to making level creation a more efficient process. There's the usual amount of extra stuff to do afterwards, including red star rings, time trials, unlockable hidden zones and even an Omochao-lead feature that offers three little side missions at a time, just like mobile games do. Unfortunately though, other than pretty much just the very first zone, multiple routes in the levels is not a strong point in this game, from what I've found so far at least, so if you're hoping for some further exploration afterwards then you're unlikely to have much luck.

Lastly, the game is accompanied by a very good, and varied soundtrack, bringing the stages to life as they always do. It's possibly not the best, as there are few that I would say are absolute instant classics, but there are no real disasters either. Favourites include Windy Hill 1, Desert Ruins 1 and 2, Tropical Coast 3 (a beautiful piano piece) and the very Sonic-y and melodic Sky Road Zone 1 to name a few. I'm desperately looking for a full rip to tide me over til the OST is released next month!



My excitement levels for this game were admittedly not as high as they have been for pretty much every other major Sonic game in history, and its good and bad points were pretty much exactly what I expected them to be. I probably won't be playing the levels over and over again all that much either. However, I come away from this game generally very satisfied, and feeling that they've done a good job. What it lacks in a less than impressive or interesting art direction, and a philosophy that borrows too heavily from another series, rather than a unique look of its own, it makes up for in its great use of ideas and level specific features, and a highly precise and technical platforming experience.

I suppose the question of whether or not you'll enjoy Sonic Lost World is entirely down to your own preferences in Sonic gameplay, and whether it's the cerebral attention to detail you seek, or whether you're more interested in the visceral thrill of a speed sensation. I suppose I'm lucky in that I appreciate both, and in my opinion there's plenty of room for slower, more considered experiences like this. They each have their advantages over the other though. A platform-heavy Sonic game is more free to experiment with interesting ideas, creating a richer first play through that lasts a bit longer too. However, once you've beaten it, it becomes less fun to return to on a regular basis to play again. The opposite is true of a Sonic adventure that you simply blast through. It has less room for variety but the intense thrill of getting a perfect, record-breaking run through a level, without slowing down or getting hit, is all the incentive you need to play over and over again. The visceral pleasure just gets more and more intense compared to your initial play through, which is liable to be clumsy and less satisfying.



Vexingly, Lost World actually has everything it needs to combine the two experiences quite well, because the couple of occasions in the game in which Sonic builds up a prolonged burst of speed are really enjoyable. A well implemented system to switch seamlessly from a conservative platformer to a thrilling dash, in which Sonic runs by himself and invites you to dodge obstacles, is already in place in this game as if it featured as frequently as every other stage. The honeycomb zone from Desert Ruin is the obvious example, but there's also a series of great runs in Sky Road Zone 1 that have you darting across the surface of those long tube structures, chaining enemies, jumping daringly over gaps and dodging massive Caterkillers erupting from the ground, and it's brilliant!

Though this game itself is not at all perfect, the ideas it brings to the table are enough to make me wonder; maybe we hadn't necessarily reached the ideal way of doing 3D Sonic. Perhaps there are still new ways of looking at things that aren't necessarily better, but different. Perhaps they can be combined more evenly to create a game that not only makes for a very rewarding first play, but is also one that keeps you yearning for just one more go again, over and over. At first I was sceptical as to why they would want to fix what isn't broken and take a whole new path in developing a game so different from what has proved successful - but now I understand a little better. It's not just for the sake of keeping Sonic from going stale, the thinking man's Sonic game was getting overlooked, but now the sides have become more even, and whole new avenues can be explored. This game, in a way, needed to exist as it does, and I genuinely look forward to seeing where it takes us from here.
Comments   6 Comments have been posted.
#1. Comment posted by Adam Unknown on Saturday, 26th October 2013, 2:39pm
Decent game, but hugely missed potential.

And the wisp implementation was horrid. Even down to silly minor things like pressing A after using Laser - why? Colours did a much better job.

Excellent review though.
#2. Comment posted by Cris on Saturday, 26th October 2013, 9:21pm
-"This game, in a way, needed to exist as it does, and I genuinely look forward to seeing where it takes us from here".

Yes!, i think the same too, like Sonic NextGen/2006, visually the opposite of Lost World, but SEGA after brought us the Unleashed formula and that was an great or incredible evolution, so maybe the future is bright with all this things the sonic team learned, i refer to the parkour system...the next sonic game could be a mixture of great platforming-exploration, satisfaction of boost and a more complete parkour!
#3. Comment posted by Tricky_E on Friday, 1st November 2013, 8:47am
Huge review! Thanks for the detailed analysis. I must admit I am a bit disappointed by the lack of speed evident in Generations, and I will miss playing in 3D (Generations on PC through a 3D TV is quite breathtaking), but I think i'll give it a shot after reading this :D
#4. Comment posted by riii on Tuesday, 10th December 2013, 12:22am
The wisps are terrible (excluding drill in 2D) in SLW, even the wisps in Sonic Colors DS were much better. I hope iizuka isn't going to insert them in every future sonic game.
#5. Comment posted by Anonymous on Sunday, 22nd December 2013, 2:26pm
"(...)Although A, B and Y buttons are all jump(...)" Actually, isn't the Y (Along with X) is a crouch, or a roll if you're moving?
#6. Comment posted by L Nguyen Huu on Saturday, 17th January 2015, 5:32pm
Thanks for the review! As noted by Cris, I think speed and momentum is an important component of parkour, but it may have been difficult for players not used to these kind of motion to retain control of the character at high-speed.

"Also, they've finally implemented a very simple idea I've been suggesting for ages - don't restart the music upon each death."

This was the case in Shadow the Hedgehog, which matched its stages with (despite appearances) rather relaxed atmospheres. However for BGMs with a stressed introduction such as in Cosmic Fall, I would have preferred the BGM to restart. In Sonic Adventure 2's City Escape, they have a simplified intro when you die and restart (compared to the original intro when falling from the sky with a board), which tended to less break continuity.
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